Director of Rebirth of Xiangjiang

Chapter 368 The Lost Pearl (12) Subscription

Chapter 368 The Lost Pearl (12) Subscription

Many artists are flocking to this.

It can be said that the current mainland artists are the first group of people who started to get rich. Artist exchanges between Xiangjiang and the mainland are becoming more and more frequent. The main reason is that the mainland artists come to Xiangjiang to develop.

In fact, none of Xiangjiang came to the mainland to develop at the stage of realization. The main reason is that there is no money to make.

During these frequent exchanges, the mainland entertainment industry is also beginning to change, mainly because private entertainment companies are starting to take the lead. During this period, it is extremely difficult for mainland entertainment companies to make money.

However, I can’t stand the power of DreamWorks. I know that if a film is well shot, it may be introduced to Southeast Asia for screening. There are still many outstanding filmmakers in the mainland during this period.

Xie Jin, Zhao Huanzhang, Wu Tianming, Chen Kaige and so on.

Director Xie Jin is a very good director. The films he shoots are both artistic and commercial. His representative works include Women's Basketball No. [-], Garland Under the Mountain, Furong Town, The Last Nobleman, The Old Man and the Dog, etc.

One of Zhao Hong's favorite movies is "The Garland Under the Mountain", which tells a touching story about the People's Liberation Army's counterattack in Vietnam between China and Russia.

This is an artistic process through real people and real events. It can be said that the response of this film after its screening was great. This film did not deliberately portray war scenes, it started with small characters.

The main content is that Zhao Mengsheng, a member of the Propaganda Department of a certain department of the People's Liberation Army and a son of a high-ranking cadre, wanted to be transferred back to the city. During this period, he experienced many ideological touches and finally became a resolute image of a new soldier.

Zhao Mengsheng has withstood the test in the baptism of blood and fire, and has become strong from cowardice. This movie tells how an ordinary person gradually changes himself in the face of comrade-in-arms.

This movie can be said to have had a great influence, and even Xiaogangpao's "Tangshan Earthquake" was also used as a reference here. This movie will never be outdated even if it is released.

It is a great honor that Zhao Hong also invested in this movie. Compared with the original version, many war scenes were added. This movie caused a sensation when it was released in Xiangjiang.

It is very difficult to shoot such a war movie in Xiangjiang. Director Xie has a good control of the war scenes. Zhao Hong still remembers that when he wanted to shoot some dangerous scenes, many technologies were very immature. For example, there are no rail cars in the mainland. After Zhao Hong knew about this, he asked someone to bring it to him from Xiangjiang.

There are also a lot of shooting equipment sent from Xiangjiang. Zhao Hong sometimes wonders whether to establish an equipment production company by herself. You must know that DreamWorks buys US$2000 million equipment from all over the world every year. It's very expensive.

Because of the support of DreamWorks, the filming of this movie is very grand. According to the final calculation, it cost 1000 million soft sister coins, which is by far the most expensive movie in the mainland.

It would be unrealistic for the mainland film studios to bear all the money. Here, DreamWorks paid 800 million soft sister coins, and only obtained other copyrights except the mainland.

Zhao Hong didn't care about this. This film can be said to be the best domestic war film, even "Assembly", which was blown up in later generations, is far from it.

It can be said that in commercial films, Xie Jin can teach all directors in the mainland to be a man. It can be said that no one can deprive and cover up his glory in film history in this one film.

After the turn of the millennium, his reputation was not very well known. The one who knew him more was Xie Jin Academy. Fan Xiaopang graduated from this artist academy.

But few people know that Hengdian Film and Television City took shape under his influence at the beginning. When he was filming "Furong Town", he built a few small Minguo Streets in Hengdian. After the movie became popular, this place It was only then that many TV dramas and movie crews came here to shoot scenes.

Released in 900, the movie earned 4000 million yuan in Hong Kong and a total box office of [-] million Hong Kong dollars in Southeast Asia. DreamWorks made almost all of the money it invested in it, and even made a small profit.

This film is still selling well in Europe and the United States. All in all, this film alone earned about 3000 million Hong Kong dollars for DreamWorks, which also gave us more confidence in investing in films in the Mainland.

This time when Zhao Hong was filming in the mainland, he also came to the crew to meet Zhao Hong. Through the exchange, Zhao Hong knew that he was really talented, experienced but not rigid, and he didn't think he was a wild beast for commercial films.

He thinks that if the film wants to develop, it still needs to walk on two legs. While not forgetting to shoot literary and artistic films, commercial films should not be left behind. His personal achievements in literary and artistic films are also countless, such as Golden Rooster Award, Hundred Flowers Award, and Busan International Film Festival Honor Award etc.

But he has a big heart and wants to develop the country's cultural undertakings. He still thinks that the only way out is to develop commercial films in the future. He is a person who highly recommends the path of Hollywood.

It's just that he speaks lightly, and his films have been criticized by many people in the mainland. Many filmmakers believe that films are sacred, and they look down on and even ruthlessly criticize them for following the popular line.

Zhao Hong thinks this is very funny. He thinks that the purpose of movies is to entertain the audience. A movie that is not liked by the audience is a failure. It has even forgotten the original intention of the movie.

In fact, the film is to record the people and events of each generation, so at this stage it is a film that the masses like, and it feels like a commercial film, but if you look at it more than 20 or [-] years later, you will feel that it is full of connotations.

As a movie, as long as you can entertain your own generation, you are considered successful. Merits are not something judged by your own generation. Only after a long time will there be a fairer judgment.

There is also a very interesting person among them, that is Wu Tianming, the director of Xiying Film Studio. He is the Bole of the old Mouzi. Almost half of the fifth-generation directors were discovered by him, so his position in the future circle is very important!

Zhao Hong still remembers a film made by his old man after the millennium. He passed away after the filming was completed. At that time, business was already king. Kneeling in a shocking way, this has a great influence in the entertainment industry.

Wu Tianming himself is also a very good director. His masterpieces include Life, Old Well, Changing Face, Chief Executive Officer, Hundred Birds Chaofeng and so on.

Many of them are very classic movies and have won many awards. He himself is also an actor, such as a very classic movie "Flying Over the Nursing Home", in which he plays the enthusiastic and cheerful Lao Zhou.As for the others, it was also bright for a while.

Now they are more or less cooperating with DreamWorks, and their films are also released in Southeast Asia through DreamWorks channels, and the box office is very good.

In front of these people, both Chen Kaige and Lao Mouzi are rising stars.

Thanks to the financial support of DreamWorks, they are producing high-quality films, and many good films that they want to make but have no money to make appear in their hands. It can be said that their brilliance can be felt by many filmmakers in Hong Kong.

These people are able to write and direct, so their control over the plot is much better than that of the fifth-generation directors. Most of them are people who have experienced hardships and hardships. Their life experiences are very rich, including the experience of the old era and the new era. trend.

They have suffered, suffered, been beaten up, and criticized. It can be said that they are a precious asset in the entertainment industry. They are able to make more movies. This is the luck of the entire Chinese entertainment industry.

What Zhao Hong likes most is to preserve those beautiful things, especially seeing these people in the original time and space become fantasy due to so many movies, but now they can become reality, he is also very satisfied.

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(End of this chapter)