Traveling through history leaving a name

Chapter 249 Entering the palace to paint



Chapter 249 Entering the palace to paint

Chapter 249 Entering the palace to paint

Liang Shanbo and Zhu Yingtai, this story has been circulated since the Eastern Jin Dynasty, and "The Legend of the White Snake", "The Legend of Meng Jiangnu", and "The Cowherd and the Weaver Girl" are also known as the four major folk love stories.

As Zhang Qingfeng pulled the erhu bowstring, a lingering and moving melody slowly flowed out from the erhu.

Many people in the audience, when they heard such a beautiful melody, immediately fell into the beautiful melody.

Liang Zhu is a violin concerto composed by famous music masters Chen Gang and He Zhanhao.

Zhang Qingfeng didn't have the violin, he only had the erhu, but this beautiful piece played with the erhu has a special charm, no less than the violin.

After half a cup of tea, as Zhang Qingfeng stopped playing the erhu in his hands, everyone in the audience was still immersed in the beautiful melody and couldn't extricate themselves.

After Zhang Qingfeng's performance, countless theater actors took the stage again, and then bowed to the audience.

Whoa whoa whoa!

"At this time, there was finally warm applause from off the stage."

Whether it is the official Zhao Kuo, or the civil servants and military generals around Zhao Kuo, it is the first time to give applause to Zhang Qingfeng's drama troupe.

Although the applause fell quickly, Zhang Qingfeng knew that this performance was a complete success.

None of the entertainers performing in front of the theater troupe has ever received applause from officials, civil and military officials.

"Yang Sanlang, you play the huqin very well? Are these pieces you thought of yourself?"

After leaving the stage, the official Zhao Kuo called Zhang Qingfeng to his side and asked.

"Back to the official house, yes, this is all my own thought." Zhang Qingfeng said to Zhao Kuo.

"It's really amazing. Not only can you write such great works as Fengshen Yanyi and The Legend of the White Snake, but you can also draw pictures, and now you can play musical instruments, and you are still so young. It's really amazing." Zhao Kuo praised Zhang Qingfeng.

It can be seen from his words that these words are extremely sincere, and he was indeed shocked by Zhang Qingfeng's talent.

"Thank you for the compliment from the officials." Hearing Zhao Kuo's compliment, Zhang Qingfeng quickly thanked him.

Afterwards, Zhao Kuo asked Zhang Qingfeng some more things, and finally bid farewell to other civil and military officials and announced the end of the meeting.Then swing back to sleep.

After Emperor Zhao Kuo left, Zhang Qingfeng was asked some questions by some officials present, and then he started to leave.

"Mr. Fang Weng."

At this moment, Zhang Qingfeng stopped Lu You who was about to leave.

"Yang Sanlang, why are you calling me?" Lu You asked Zhang Qingfeng with a smile.

It can be seen that his attitude towards Zhang Qingfeng is very good at this time.

"May I come to visit you when you are free? I want to draw a picture for you." Zhang Qingfeng said to Lu You.

Hearing Zhang Qingfeng's words, Lu You's eyes lit up, he nodded quite reservedly, and said, "Your painting skills are amazing, and it is natural for Lu You to ask for my little friend to paint for Lu."

"Then it's settled. I'll come to visit the official's house after I'm done painting. I don't know where the master lives?" Zhang Qingfeng asked Lu You.

"Lu lives in..." Afterwards, Lu You reported a place name to Zhang Qingfeng, and then said, "I will tell the gatekeeper that you can just report your name when the time comes."

"That kid will bother you when the time comes." Zhang Qingfeng bid farewell to Lu You after remembering the place name.

In the end, he returned to the backstage to direct everyone to organize the props.

A few hours later, when the sky was bright, Zhang Qingfeng found more than a dozen carriages before transporting all the things back to the warehouse in the lotus pendant.

In the morning, after having breakfast, Zhang Qingfeng fell asleep in his room, and did not wake up until three or four o'clock in the afternoon.

After the performance in the palace, Zhang Qingfeng gave everyone a few days off.

Next, Zhang Qingfeng will prepare for entering the palace to paint.

However, Emperor Zhao Kuo didn't seem to have the intention of summoning Zhang Qingfeng to paint right away, until a few days after the performance, an eunuch in the palace found Zhang Qingfeng and asked Zhang Qingfeng to bring tools to the palace to paint.

At this time, Zhang Qingfeng had already prepared. After he woke up that afternoon, he began to prepare the brushes and paints for painting.

Some pigments were not available in the market, so Zhang Qingfeng could only mix them himself.

In order to experiment with the chromaticity of these paints, Zhang Qingfeng also spent several days painting the scene where the emperor hosted a banquet for ministers on the Dragon Boat Festival.

In this painting, Zhang Qingfeng painted Zhao Kuo and all the court ministers who attended the banquet.

In addition to the emperor and all the officials, Zhang Qingfeng, the eunuch and maid who was waiting on the side, was also drawn.

Of course, the most important thing is that there is also a scene where a theater troupe performs on stage The Legend of the White Snake.

For the whole painting, Zhang Qingfeng used a whole piece of large Xuan paper that is two meters long and one meter wide.

Such a large rice paper is already the largest uncut rice paper that can be bought on the market.

In order to paint this picture, Zhang Qingfeng also chose a piece of high-quality rice paper without any trace of wrinkles.

When the eunuch came to inform him, he had just finished the painting.

So, when entering the palace this time, Zhang Qingfeng brought this painting along with him in addition to all the brushes and paints.

In order to prevent the painting from being damaged, he rolled it up and put it in a special bamboo tube.

Afterwards, Zhang Qingfeng and the eunuch got into the carriage, and within half an hour, the carriage had already entered the palace gate.

When I got here, because of the rules, Zhang Qingfeng could only walk with the eunuch with his belongings.

Fortunately, the imperial palace was not too big, and within ten minutes, Zhang Qingfeng was taken by the eunuchs to wait outside a large hall.

Next, the eunuch entered the hall to report, and after a while, he brought Zhang Qingfeng into the hall.

Of course, when entering the hall, Zhang Qingfeng would inevitably be searched by the emperor's imperial guards to see if he had any weapons.

"The grassroots pay their respects to the officials."

After entering the hall, Zhang Qingfeng put down his things and paid his respects to Zhao Kuo.

"Excuse me." Zhao Kuo waved his hand to Zhang Qingfeng with a smile, and then told a eunuch beside him, "Prepare a seat for Yang Sanlang."

"Thank you, official." Zhang Qingfeng didn't expect to have a spare seat, so he quickly thanked him.

"Yang Sanlang, you promised to paint for me, but are you ready?" After Zhang Qingfeng sat down, Zhao Kuo asked Zhang Qingfeng.

"I'm ready to go back to the official's house." Zhang Qingfeng replied with a nod.

However, before Zhao Kuo could speak, he continued: "Officials, the common people said a few days ago that they would draw all the monarchs and ministers who attended the banquet on the Dragon Boat Festival. After several days of hard work, the common people have painted this painting. Once the painting is done, please ask the officials to take a look."

Zhang Qingfeng took out the painting from the bamboo tube and said, then handed it to an eunuch beside him.

"Oh? It's really drawn? Let me have a look." Zhao Kuo said in surprise.

Hearing Zhao Kuo's words, the eunuch quickly brought Zhang Qingfeng's painting forward and handed it to Zhao Kuo.

(End of this chapter)


Tip: You can use left, right, A and D keyboard keys to browse between chapters.